TEACHERS and LIBRARIANS!
Welcome to the page set aside for librarians and teachers. 

 

The Child Hero article below is designed especially for you. This article was previously published in the Chinook and in  Medium Journal of the Washington Library Media Association The Child Hero  workshop has also been presented to teachers as a part of the Language Arts Extension and to librarians at the Washington Library Media Conference.

 

                                                                  THE CHILD HERO

 

As a child I loved books like  A Wrinkle in Time,   The Lion the Witch and the Wardrobe,   Island of the Blue Dolphins , and My Side of the Mountain.  These represent different forms of fiction but they all have one thing in common; all are stories about ordinary children doing heroic deeds.

My hunger for tales featuring heroic children never ceased: I still read them, and endeavor to write them. Why do I write these types of tales? I have always felt the need to know a hero, one who moves beyond their comfort zone, faces fears, and takes life on. I believe I am not alone in this. Many children need to know a hero: not a grown-up hero who is accomplished, intelligent and strong, but an ordinary child hero who discovers courage by overcoming a difficult situation. Children feel this need because they are facing a great journey, and they know it.

                School-age children are in the process of packing for the arduous road to adulthood. Into their knapsacks go the tools they will need for survival. All manner of helpful tools are provided in school: language tools, math tools, science tools and more. School introduces children to these tools and provides a place for them to practice their skills. But all the tools in the world can't help a child move into a successful adulthood if the child lacks courage.

Courage requires:

Ø      a sense of purpose.

Ø      a belief that what I do matters.

Ø      a willingness to sacrifice.

Ø      the strength to fail and still keep going.  

Can Courage be taught?

I believe courage can be taught in two ways, through example and through stories.

Ø      Realistic picture books that place young protagonists in challenging situations can show small children how to step out and overcome their fears.

Ø      Fiction such as My Side of the Mountain,  Hatchet  and Island of the Blue Dolphins teach children that a child can find the strength and ingenuity it takes to survive.

Ø      Novels like The Fall of the Red Star by Peggy King Anderson and Helen Szablya, teach children that they can make a significant difference even in a time of war.

Ø      My novels Molly's Fire, and Wenny Has Wings both affirm a child’s to see beyond the ordinary, and thus offer hope in hopeless situations.

Ø      Fantasy books that show animals or Hobbits battling evil also teach courage. In these stories talking animals and Hobbits are child heroes in disguise. They are childlike in their powerlessness and in their hopeful natures. Children recognize these vulnerable characters as one of them.

Ø      Fairy tales such as Jack and the Beanstalk, teach children that a bit of wit can sometimes be the best weapon against a scary giant.

Creating the Child Hero

Whatever the genre, there are two simple rules authors must to follow when creating a child hero.

Ø      The first  rule for creating a child hero is - provide a plot that tests the child's mettle. Put central characters in challenging situations, then show them relying on their own inner resources to do the difficult task before them.  

Ø      The second rule is - remove the adult. The protagonist must be left on her own at some time in the tale to face the story problem. For example, in Beauty and the Beast, Beauty must live alone in the magic castle with the beast. In Hatchet, Brian is the sole survivor of a plane crash and must survive alone the woods. In The Lion, the Witch and the Wardrobe, Peter has to kill the witch without the help of a grown-up.

The Hero's Journey

Joseph Campbell's books on the universality of the hero myth, outline the three basic steps of the hero's journey.

Ø      Step 1) The call to adventure.

Ø      Step 2) The hero faces obstacles on the quest.

Ø      Step 3) The hero overcomes the obstacles and returns with a discovery.

These three steps of the hero's adventure are seen in stories for all ages and across all genres. The hero's journey can be told again and again. Give us new characters and new situations and we will happily read (or watch a movie) about another hero's journey.

The Reader's Journey

    As young readers travel beside the hero in the story, they witness the character's mistakes, feel their fears, and still see them acting courageously.

    By closely identifying with the child hero, young readers are given a place to practice their courage. They come to understand that courage is not a state of fearlessness, but a decision to face one's fears.  

    Whether you recommend fiction or non-fiction, fairy tales, picture books, or novels, to your students, you can help young readers to learn courage by offering stories of ordinary children who:

Ø      face and overcome their fears.

Ø      fail and try again.

Ø      choose to go forward even when the path is difficult.

Ø      change themselves and change the world around them.

 

 

The Golden Key

When you give a child a book, you pass on a golden key that unlocks the door to the story world. Thank you for passing on the key.

   

Looking Into Books   

 

  The questions below were designed to help you focus in a child hero in the book of your choice. The format fits many stories from picture books such as Horton Hears a Who through YA novels like Hatchet

 

1 Title and author.

 

 

2. Who is the hero? (Name, age, sex.)

 

 

 

3. What is the role of the adults in the story? Describe how the author removes the adults from the story at the crucial time so the child is left to act on her own.

  

 

 

 

4. How is the child hero tested in the book? List obstacles.

 

 

 

 

 

5. What is the final test? How does the hero handle the challenge?

 

 

 

 

 

 

6. How has the hero changed from the beginning of the story?

 

 

 

 

 

 

7. Has the hero changed his/her society? How?

   

 

 


Book Discussion Questions for THE DOUBLE LIFE OF ZOE FLYNN 
Questions by Judy Shaw and Janet Lee Carey

These questions are designed to be used either for class discussion or as short writing assignments. Students may also explore their thoughts about these questions in their journals. Some schools have chosen to use the book and questions as a part of a broader study unit on poverty awareness and homelessness, to increase student interest in community service and link up to outreach organizations in their community. 

Section One-- Chapters 1-4 

1) Zoe Flynn had lived in her house at 18 Hawk Road for almost as long as she could remember. Then her parents decided to move. Have you ever had to move to a new house? How did you feel about that?

2) On their last night before the move, Zoe and Juke are told to pack what they will take with the on the road in a small backpack.
If you could only take a few things with you when you moved what would you take?

3) In chapter 4, Zoe and Kellen say goodbye. Did you ever have to move away from a friend? Or did a friend ever move away from you? Do you still visit them? 

4) Before her family left the house, Zoe took the glass doorknob off the door of her special dreamroom closet where she liked to read and draw. Why do you think she did this? Have you ever had a special object like that? What was it? Compare your feelings about your special object with Zoe's feelings about her glass doorknob.

Section Two -- Chapters 7-15 

1) In Chapter 7, Grandma Nell has a message for Zoe "Find the door." What do you think that means?

2) In Chapter 9, Zoe thinks a cop is following her as she rides her bike to school. Why is she worried about that?

3) Zoe doesn't want anyone at her new school to know about her living situation. Why? How would it feel if you and your family had to live in a van like Zoe did?

4) Why were the sixth grade girls so mean to Zoe, Aliya, and Sheila? Why do you think people act that way?

5) In chapter 12 (page 65), Zoe thinks about how hard it is to be homeless. 
How does the family handle being homeless? What kinds of things do they have to do?

6) How did Zoe decide to help solve her family's living situation? If you knew a homeless family, what are some ways you could help? What services does our community have for homeless families?

7) In chapter 15, Zoe asks Asif to buy a lottery ticket for her so she can win back her home. Asif won't do this for her. What should she do now? 

Section Three -- Chapters 16-26 

1) Zoe tries to win the Big Cash Prize at Galaxy Burgers so she can buy her home back in Tillerman. What do you think of her new plan?

2) In chapter 17, Zoe is upset by Kellen's letter. Why?

3) In chapter 18, Zoe and Aliya get into a fight on Halloween. Why?

4) In chapter 20, officer Bergstrom catches Zoe and Juke at the cabin. Why does Zoe take Officer Bergstrom to Mrs. Garmo's house? 

5) In chapter 23, Juke doesn't think Zoe should go to Aliya's house. Who gave him that idea? What do you think about that? 

6) In chapter 26, Zoe and Aliya get into a fight at school. Zoe doesn't want Aliya to find out she and her family were living in a van. How does this cause a misunderstanding between the two girls?

Section Four -- Chapters 27- 42

1) Zoe takes the bus to Tillerman. Why?

2) When Zoe goes back to Tillerman, she finds things have changed. Her best friend Kellen has new friend and even worse her bedroom is being remodeled. Was Zoe's expectation that everything would stay the same realistic? Have you ever had an experience like that when your expectations were completely different from reality?

3) In chapter 32, Zoe grabs the mobile phone from the kitchen and calls 911 to report the fire. This was a dangerous choice. What lese could she have done? 

4) In chapter 33, Zoe and Kellen talk in her room. Zoe still keeps her homelessness a secret. Why doesn't she tell Kellen? 

5) In chapter 36 Zoe discovers something about Officer Bergstrom. Now she understands why he was following her when she rode her bike. What does she know about it now?

6) In chapter 39, the manager shows Zoe and her family around inside a mobile home. Zoe thinks she's going to say "no" to living at the mobile home park, but she changes her mind. Why? 

7) In chapter 41, Zoe starts to draw again for the first time since she left Tillerman. Why? 

8) In chapter 42, Zoe invites Aliya into her "dreamroom". She's never invited anyone into her dreamroom before. Why does she ask Aliya to come in?

9) Zoe tells Aliya the whole story of her move and all about living in the van. What does "home" mean to Zoe now?

Questions for Further Discussion:
1) Many of the characters in this book have experienced some type of loss. Which character do you identify with most? Why? How did this person cope with their loss?
* Grandma
* Zoe and her family
* Aliya and her family
* The policeman (Julia's dad) and his family

2) The title of this book talks about Zoe Flynn and her double life. What does that mean? Why is Zoe leading a double life? 

3) Why do you think the author chose this topic to write about? Now that you know a little more about poverty and homelessness, can you think of ways you can help other kids in this situation?



Questions by Judy Shaw, Literacy Education Coordinator, Hopelink. And by Janet Lee Carey.
For more on helping homeless families and children in need, see Hopelink at 
www.hope-link.org and National Coalition for the Homeless at www.nationalhomeless.org.